We survived our 50 books in one year challenge. In 2009 we are still reading...
Thursday, September 13, 2007
Skinny Legs and All by Tom Robbins (#26, Contemporary Literature)
Skinny Legs and All on the inside flap starts by saying it is about a Jew and an Arab who get together and open a restaurant across the street from the United Nations building. After my Jewish education at Emory I am always interested in immersing myself in the culture. Turns out what I should have paid more attention to on the inside flap was the reference to a talking spoon, can of beans and dirty sock . . . . ummmmmm??? Yeah, I am not kidding. There was also a talking conch shell, painted stick and . . . wait for this one . . . Vibrator!
Underneath the incredibly bizarre facade, Robbins tackles very deep and important questions about religion. Why are we fighting in Jerusalem? Who started it? Who is right? Who is worthy? Who is wrong? Apparently I was unable to compartmentalize and get over the fact that these questions are being discussed by a conch shell and a can of beans.
I gave Tom Robbins a shot. I am not sad.
Saturday, September 8, 2007
Love Story by Erich Segal (#30, Reader's Choice)
Segal's sparse style and use of young, hip slang (for the 60's) reminded me a lot of J. D. Salinger's Catcher in the Rye. The most memorable quote--"Love means never having to say you're sorry" still applies today. I enjoyed reading a book that uses the idea that love should be unconditional as its central thread.
The Tipping Point by Malcolm Gladwell (#29, Nonfiction)
While I found Gladwell's book highly interesting, the way that it was written for the masses annoyed me. He repeated a lot of his main points at the end of every chapter, obviously trying to drive home the key components of his theory but to someone who is used to reading scholarly articles, it just seemed redundant and boring. I wanted Gladwell to challenge his readers, to leave us with an unanswered question--something for us to ponder long after we closed our copy of his book. We didn't get a question to ponder, but we did get an insiders knowledge on how Sesame Street and Blue's Clues were created. My main question is what does Gladwell want us to with the information he presents to us? At the end of the book, we know that little things make a big difference but it can't just be any little thing. The context, timing and people all have to be right. I will be waiting for the follow up.
The Watermelon King by Daniel Wallace (#28, Reader's Choice)
Big Fish is better, but if you are looking for a strange story that is in its own way about the art of story telling, I'd recommend The Watermelon King. Think To Kill A Mockingbird crossed with The Mists of Avalon. An unusual combination but somehow it works.